after building their reputation as a force for positivity in the berlin dance scene, berlin bass collective have looked amongst their ranks to find two producers with the talent to reflect their tried and tested ethos which has been setting dance floors alight across berlin and the uk. built from a palette consisting of raw, low-fidelity found sound, obscure disco reworking and original bass lines these tracks are built to function as well underneath the mirrorball of a packed dance floor as they are kicking back at a friend’s house party.
on the a, brian ring draws on his immense knowledge of the disco and soul roots of house music. channeling the spirit of his night time dalliances as a resident of both the disco kiez and house of love parties in berlin, brian’s productions embody the philosophy that good music is music that gets people moving.
on the flip, bridge guy takes us into super chill with a collection of organic, lo-fi tracks that loop beautiful disco bass lines and vocals so sultry you will feel like you’re floating.

blackcash & theo get back at it with the latest in this series of funk soul party edits. pleasure bouncy lady is an amazing funk break track, produced by jazz legend wayne henderson of the crusaders. the intro break has been extended, and is one of the all time classic hip hop funk breaks. elements of this track were sampled on brand new funk by dj jazzy jeff & the fresh prince, word to the mother (land) by big daddy kane, and church by de la soul. whatnauts why cant people be colors too is a soul / r&b jam with another heavy break, as sampled by q-tip, pete rock, diamond d, dilla, and oh my god by a tribe called quest featuring busta rhymes.

eli paperboy reed come and get it (2010 uk 12-track vinyl lp - having been hailed by critics and fans alike for his first album roll with you , us soul sensation eli -paperboy- reed returns with the follow-up, come and get it . the single of the same name is a blast of sheer soulful exuberance, a paean to love, lust and desire, bursting with horns, pounding drums and that sweet, sweet eli -paperboy- reed voice. it harks back to the 60 s sounds of classic motown and stax good-time recordings, the kind of floor-filler that would tear up the dancehalls of the northern soul scene across the uk).

nice price deal !!! first run lim. coloured edition ! after his devils water being played by james holden, agoria and james zabiela, rennie foster returns with another high-tech soul monster on the japanese gemini label. keep your eye out for this one.

re-release: das fantastische debütalbum des jazz/soul-sängers jose james -the dreamer- aus 2007. neue limitierte auflage auf schwarzem 180g vinyl mit downloadcode.

mojuba is very proud to present the next release of the collaboration project with the one and only chez damier. the second release features a new mix of the epic downtempo >why< and turns it into a mesmerizing journey to the deephouse realm. on the flipside you will find an unreleased carl craig remix of the legendary >help myself< track from kms. the ep finishes with a brand new chez track in best prescription manner that burned down dancefloors already during his latest dj-sets while testing it on the crowd! prepare to be touched! 2017 repress - fresh design

the music ep, released on carters organico label still sounds totally streets ahead today, a sublime 4 tracker existing in the deepest recesses of the dance-floor. beautifully deep constructed house music filled with emotion and soul, the music ep ticks a lot of boxes. in fact, it d be surprising if this record ever leaves your bag. so many moods are contained within it s grooves - melancholy, narcotic delusional happiness, sheer abandonment, it s all here.

limited 2017 repress !! with the much anticipated debut album of afefe iku, yoruba records presented the first official banger of 2008 with mirror dance. with its ridiculous driving beat, and one of the most memorable melody lines we ve heard on the dance floor, mirror dance is another one of those dance floor monstrosities that afefe iku seems to naturally pull out of his magic hat. on the b side, osunlade takes it deep with his yoruba soul mix featuring spoken word king oveous maximus. with deeper rhythms and a stripped groove, this one takes you back to the basement house parties allowing you to go into trance and zone out to the words of ove. brace yourselves, yet again

the jungle brothers’ 1988 debut, straight out the jungle, was important for many reasons. it was sloppy and goofy but had moments of real focus and social consciousness. it was a true “kitchen sink” record, that caught a rap fanbase enraptured by eric b. & rakim, public enemy and boogie down productions a bit off-guard. also of note, beyond the excellence of the album itself, the jungle brothers were the fulcrum for what would become the native tongues movement – they came first, de la soul and a tribe called quest followed, under their guidance.

never one to rest, our pal the revenge has been busy as always. his latest lp as 6th borough project find your rhythm recently dropped on roar groove, he created a beautifully delicate remix of auntie flos waiting for a (woman), had a change of scenery relocating from scotland to denmark and his collab ep with dirt crew, flush with nachtbraker remixes was one of our biggest records of 2016! amongst the action he’s taken the time and a more in yer face approach to write us his latest ep, a four-tracker of proper club tracks. every night brims with raucous disco energy. the french filter house reminiscent gems strings shimmer and funk horns hit heavy, a jam destined to wear holes in shoes. grit attends to the easy-going disco grooves we love so much from the revenge, plenty of shake and soul its overflowing with good-mood energy. b-side opener never learn gives us a glimpse of the darker end of the revenge’s spectrum. subby toms rumble, tweaked out synths bleep and slide and delayed key stabs shift the party into smoke hazed, underground rave mode. the closing track krokodille brings that bass n electro gritty booming sound! the acidic lead wraps around sturdy drums. straight forward with plenty of kick, what an ending to a high quality ep!

elusive duo ed wizard & disco double dee have been delighting dancefloors around the globe since 2009. with their signature brand of chunky disco dubs infused with hip hop flavors and slow motion house feel. having their tracks played @ movement detroit by soul clap, to bbc radio one mixes by derrick carter, being remixed by legend greg wilson, to dozens of vinyl releases on great labels around the globe like whiskey disco , disco deviance, paper & more. ed wizard & disco double dee were also rated 1 and 2 best selling artists on beatport for funk r&b for both 2014 and the year 2015. with no plans to slow down they now drop the -slo-mo disco- lp on the mighty editorial records this summer. a perfect way to light up any daytime disco pool party, bbq , or dancefloor! pressed on 2 x lp in a picture sleeve.

australias superbreak crew return with their 2nd release this time bother j teams up with aston agassi for a funky 4 tracker. superbreak has released a number of singles on their own self-titled imprint, and have set their sights on breathing new life into dusty obscure soul funk disco and boogie nuggets. superbreak s dj style reflect their productions, the all action, diversity and the constant surprises at every turn, is where its true strength lies, combining slo-mo boogie, groove laden disco, quality house, 70s funk rock and party funk/boogie and always adept at reading the crowd thanks to combined decades plus experience behind the decks, they pride themselves on getting the crowd moving, whether they re into boogie bombs, sleazy deep house, party funk or deep house/disco.

cult japanese reggae/ cosmic dub lp. featuring an all star line up including: sly & robbie, augustus pablo, minako yoshida + core members of soul syndicate and the wailers. direct reissue of this 1980 original. next stop in rh store s japan series!

say you love me wasn’t “om” alec khaoli’s first solo recording but the 1985 ep solidified the bass player and songwriter’s standing as one of south africa’s most consistently innovative pop auteurs. he built a career on ubiquitous rock, pop and soul hits with groundbreaking bands like the beaters, harari and umoja. but khaoli’s seemingly endless fountain of music continued outside these ensembles, where he usually played bass and contributed songwriting and vocals.

jan schulte makes his dekmantel debut with peace moves, an ep of percussive soul, that captures the salon des amateurs resident in full, tribal swing. four tracks of informed, well-paced grooves, and finely crafted beats that extenuate the german’s penchant for the mature, and fun loving heads

3 overlooked jams on one 12inch single, excavated from the deepest realms of the tk disco vaults. remastered, represented and brought back into focus for 2017s dj bags and dance-floors. side a sees wizzdom s 1980 boogie jam free bass kicking off proceedings. a p-funk-ish, low slung jam indeed, it has everything you d want including some furious five esque shouts of free-bass! weaving in and out of the mix. this one is a true heads cut, one for the diggers! over on side b we get jimmy bo horne s slamming is it in? - a stomping piece of disco-funk that in the right hands will cause maximum damage. also, jimmy s mildly double-entendre lyrics are hugely entertaining! following up we have a cut from herman kelly & life, a refreshing love was an lp only release and is some serious downtempo latin tinged soul super soaked in miami sunshine! all in all, 3 majorly overlooked gems nestled away in the tk archive now brought back into the light. as usual, these tk represses are always done in the proper manner. 100% legit re-edits, from the archive, remastered and released in conjunction with henry stone music / tk disco - miami fl.

moscow based multi-talent impish has been steadily honing his skills since 2013 working through labels such as program, fokuz recordings and his own fast rising occulti music imprint. it s that last label that saw him release the critically acclaimed silence lp back in 2016. fast forward to the summer of 2017 and a new album project the hush lp is set for release through all quality physical electronic music outlets around the world.
being the perfectionist that he is impish continues to impress working on crystal clear music productions where impeccable drumwork is combined with organic touches and progressions. this album sampler which features the two tracks can’t feel and that’s right is no different: it’s written on the fine line where driving beats for the dance floor meet harmonies for the mind and soul.
look out for the sampler dropping on 12” vinyl near the end of june. the full album will be released late september on 3x12” vinyl and all digital formats.

a new talent is added to our roster, this time the argentinian alderaan, after several releases in labels such as animal farm, mindtrip, planet rhythm and our very own aine. he offers four slices of modern techno, heavy percussive based but whit a lot of intelligent elements inside.
first cut is ancient particles, multiple drum layers, heavy reverberation and obsessive sequences as sound palette.
parallax follows in the same style but adding more drone action and bell like lines in a clever arrangement.
oscar mulero remixes retina getting rid of the textures and focusing in rhythm and repetition in a minimalistic remake.
retina is a cosmic exercise, with galactic resonant bleeps, atmospheres and ambiental components in a dreamy structure.
timeless techno for the mind and for the body, soul as a weapon.

binaural arts - the soul, creativity, or love put into something. the label was founded in romania in 2014, by plusculaar, born in the city bucharest. for the last ten years plusculaar has been a vital part of the romanian underground scene, producing unique sounds, focusing on the healing frequency of music, transmitted through feelings. the label today is now joint owned by himself and kirsty sharpe, both sharing a pasion for vinyl recods, they took the label to the next step, vinyl only. the first release is a various artists compilation of talent from around the world that we saw fitted the sound of pure underground.

first release limited edition 300 copies limited edition by pelati riviera trio, dj soch, rame from pasta boys and franco b from dancity working on a classic piece of the historic label irma records (calypso): -going into the circle- by tameka starr. on the a side two new versions made by the trio have as reference the style deep house of the early 90 . tight grooves and mellow pads combines a vocal line full of soul, all surrounded by syncopated chords and piano classical elements of italian disco and dance music of that period on side b the original pearls by the ltdj soul invention, dj art and intrapella

as part of madhouse records milestone twenty five years in the business the label will be offering up a selection of projects over the next year, ranging from vinyl reissues, events, new releases on madhouse and its madtech sub-label, merchandise and more. here we see the imprint revisit some of its biggest hitters since its inception, delivering a selection of recent output from the like of t williams and james jacob, opolopo and roog and dennis quinn while revisiting one of label-founder kerri chandlers most loved records on the label. up first is roog & dennis quinn feat. berget lewis igohart which saw support from the likes of sante & sidney charles, shadow child and maya jane coles with its raw swing, gritty stab sequences and soaring vocals. the dub mix of opolopos lowlife follows and add a playful bounce to things via wandering organ hooks, spiralling vocals and an infectious musicality with its warm string and bright piano chords. t.williams and james jacob then head back to more direct dance floor vibes with the piano-laden together fuelled by weighty 909’s, string samples and smooth chords before kerris kaoz 6:23 mix of lafayettes better late than never gets a 2017 remaster, bringing even more shine to the soul infused new jersey house classic.

this double-pack cymbolic originally came out in 1995 and found favour with electronic music fans who sought a deeper edge in their music. it s all here, the trademark drum programming, the epic sense that all of the burden bros productions have within them. this is dancefloor music, music for dj s to utilise, tools, but tools with the deepest soul imaginable. listen to terraforming or the symbiont - perfect examples of driving, almost tribal-esque rhythms fused with strings, synth pads and human feeling. cymbolic is for you if you re a fan of detroit techno, but it s also for those who enjoy the deepest electronic sounds. that s not to say it isn t funky though, these tracks will decimate most dance-floors, and therein lies the secret. essential

under the glow of moonlight, zak damundo has arrived on the cold busted label scene with his fantastic debut album 3am. the alias of san francisco dj / producer zach devincent, zak damundo presents eighteen original and sampled beats that are mixed continuously in the physical realm (cd and vinyl), but also available digitally as individual cuts. an underground dance music veteran, devincent is the host of swim on digitally imported radio, an affiliate of the bay area’s independent hip hop tv program distortion 2 static, and has released tunes for the likes of 5 and dime recordings, acryl music, looq records, and open bar music.

love creation 003 broadens the palette further with 4 inventive creations that take in downtempo, disco, afro psyche soul and ambient styles.

thorsteinsson with 4 summer soul house vibes!

prime are delighted to announce the long-awaited official 12 inch re-release of probably the most revered paradise garage anthem of all time - m.f.s.b. feat the three degrees and the now legendary -love is the message-. originally released in 1973, -love is the message- has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from tom moulton which is always a £25-30 record if you ve ever been lucky enough to find a mint one and copies of the rarer u.s. 12- with the long mix are like gold! worry no more as the quality on this 12- is from the best master and 100% sanctioned by sony music. on the flip we are proud to re-release -t.s.o.p. (the sound of philadelphia)- aka the official soul train theme, using tom moulton s full original 5.42 mix. another piece of significant dance-floor history. as double-siders go, it really doesn t get any better than this. there is already high-demand from lots of djs needing to replace their battered copies so accept no substitute. this is the real deal.

lyon-based beatsmith ethyène has patented a certain style of mid-tempo house music applying a french touch aesthetic to disco, r&b and hip-hop sample references. through releases on longtime underground favorite kolour ltd and upstart labels like kyoku, as well as contributions to his own moonrise hill material, the frenchman has quickly built a sought after discography. his collaboration with better listen comes at an interesting time, as he seems to really be refining his sound, maturing sonically and honing the synthesis of the aforementioned influences to something nicely unique. the playin with fire ep is a deliciously bittersweet four track affair. the a1 slot sees e joining forces with his homie, the much acclaimed folamour, for the superlative why my love. meanwhile, loneliness of the shadow dancer- continues the r&b cream vibes, combining a classic head-nodding hip-hop flip with a soul chorus. the b-side gets a bit moodier, with the title track climatically building on hypnotically deep riffs and vocals and i sold yayo to buy kicks serving as the bob james-esque closer. the package is a cohesive reflection of a pensive and slightly anguished mindstate, with boom bap cultural influences and his familiar philadelphia streets functioning as the canvas. dont be surprised if this record serves as a point of stylistic elevation for the young producer, with plenty more of this new ammunition in the chamber. and you know the saying: if you play with fire, you might turn into a scorching hot phoenix.

dj raw sugar is a native of berlin, but has done a 6 year stint in new zealand and now resides in perth. his productions are deep and raw house beats mixed with jazz, boogie, disco, funk and soul. over the years he has put out music via other people s labels like gazeebo international, midnight riot and ism, but is now taking matters into his own hands via love sexy records - a label he has just started. the debut release kicks off with a piece from the man himself! it s a sweet and sultry slice of disco. inkswel, also australian based, takes up remix duty taking the track in a more club-ready direction. slow goodness all over!

j.a.k.a.m is japanese artist takashige miyawaki, a long standing producer commonly found on crosspoint records. on this release for the ever intriguing malka tuti label miyawaki draws on a thrilling spread of influences to make a truly soul-stirring track. at times the vocals lean towards a middle eastern lilt while the saxophone burns with the fire of the post punk era. with monolithic drum hits, yearning violin and plenty more besides, wabi sabi is a many-headed beast of a track. moscoman takes the original and simmers it down to a more focused but no less exotic tribal house workout.

erstmals auf vinyl! ausgabe nr.12 des beliebten brownswood-samplers von dj-ikone & trendsetter gilles peterson mit zehn exclusives und raritäten aus den bereichen nu jazz, soul, broken beats, world und downbeat. eine abwechslungsreiche, aurale exkursion für musikliebhaber, zusammengestellt von einem wahren trainspotter! zu den bisherigen bubblers gehörten flying lotus, mayer hawthorne, ghostpoet und jamie woon. part 2 folgt !

the belgian duo „chassé- heats up the flux compensator and takes us on a hilarious time travel straight back to the mid 1990 s with their new ep „word up kids-. pumping chicago grooves meet dope down funk & soul loops – just the right mix to make you freak out on the mid-summer-dancefloor. these 12- is the dj-essential you need for surfin the incoming 90s revival wave. pretty much remarkable: „word up kids- is chassés vinyl debut – whats gonna be next? bigbait026 is the third installment of our random color special edition series. each record is a unique piece, because the color is constantly shifted during the production process. .... safe your copy!

since the release of his 2 first albums on favorite recordings, lucas arruda has quickly established himself as one of the most talented young artist and composer from brazil. his music is filled with fusion style, mixing influences and elements from his latin musical background, with his genuine admiration for jazz, soul and funk music. . here s a new single, announcing the release of lucas’ third album. this new opus is pursuing the music direction set with solar, mixing touch of blue-eyed-soul, pop, soul and brazilian styles together, and influenced by the path of legendary brazilian producer lincoln olivetti, who recorded some of the biggest stars of brazilian music (marcos valle, jorge ben, tim maia…).

future beat alliance presents some unreleased pearls from the past on the vinyl only series - highly recommanded

the 12th installment in the falling ethics series is an adventurous piece of work. tensal and p.e.a.r.l. team up on this split ep to showcase their production styles which are mainly built around crafty drum loops and buoyant synth experiments.
tensal takes care of the a-side where he takes care of one flaming techno cut for the dancefloor which is followed up by two adventurous pieces of electronica.
p.e.a.r.l. also took care of three cuts on the b-side. the opening track “joy of rapture” is a straight forward demonstration of machine heavy techno. “fall before you” is a deep and soul wrenching cut that showcases p.e.a.r.l.’s more delicate side. “red flame” is a piece of horror reminiscent ambient.

during the mid-1970s, the aggrovators could do no wrong. this ace team of session musicians that was forged as an off-shoot of the soul syndicate were responsible for some of the biggest hits of the decade, recorded with bunny lees rising stars, such as johnnie clarke and his rival, cornell campbell. following on from the great shalom dub set of 1975, rasta dub 76 is another truly magnificent dub set culled from aggrovators hits (by johnny clarke, cornell campbell and others), this time, the entire album was given a scintillating mix-down at king tubbys studio by the great prince jammy, and the sonic excellence has stood the test of time. another must-have for all connoisseurs of dub.

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

born roy samuel reid in saint thomas in 1944, i roy was one of jamaicas all-time greatest deejays. a natural-born toaster, his rhyming raps always sounded effortless, whether describing the harsh realities of the inner city, or making light of nonsense nursery rhymes. a former employee at customs and excise, he was first active on a sound system called soul bunnies in the rock steady era, moving to son’s junior in 1968, and later, to the legendary supreme ruler of sound, defecting to the rival stereo sound system after that. hits for harry mudie and other producers soon followed, and after the killer debut album presenting i roy impacted overseas, the toaster began spending frequent periods in london. his longstanding working relationship with hit-making producer bunny lee led to some of his most noteworthy albums during the mid 1970s, the 1977 set cant conquer rasta is a superb showcase-style album, on which the toaster blows hard lyrics over five of lees killer rockers rhythms (recorded with the likes of johnny clarke), each complete with a corresponding aggrovators dub on the flip, all mixed by prince jammy at king tubbys studio

the spiritual jazz classic from 1976 back as an exact reproduction.

mit seiner missing link ep gelingt nick murphy der brückenschlag von den musikalischen anfängen seines alter egos chet faker ins hier und jetzt als nick murphy. die fünf neuen tracks, die über future classic erscheinen und bereits digital erhältlich sind, stellen eine art zäsur im bisherigen schaffens des australiers dar und läuten einen neuanfang ein. klanglich stößt der wahl-new yorker noch einmal in neue sphären vor und weiß nach wie vor mit seiner warmen soul-stimme umzugehen.
das vinyl erscheint inklusive poster und downloadcode.

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

hans zimmer’s original motion picture soundtrack for the 2001 movie “hannibal”. the vinyl release includes a download code.

dan curtin s name has long been associated with future looking techno, machine music oozing with soul and emotion. he has released on many seminal labels throughout his career and left an indelible mark on contemporary electronic music. alive / cascade is perhaps a lesser known entry into curtin s catalogue, released on strictly in 1994 and is almost the perfect synthesis of nyc deep house and detroit techno, a true slept on gem of a record. the music contained within the grooves of this record defy any sort of time frame, it s almost hard to believe it s over 20+ years old. a truly beautiful record, alive / cascade is a must for all electronic music lovers and will undoubtedly continue to be played and enjoyed for the next 20+ years ahead. astounding stuff and yet another example of the wide reaching ears and minds operating strictly rhythm during this golden period.

uncertainty. no set route. destination unknown. younger than me know it s the journey that counts, and they premiere with quite the musical journeyman. the dulcet tones of none other than the don, fred ventura, accompany the title piece, a grooving melody ticks over against clean beats. san proper kick up some dust, adding some grit and soul to the original. the flip takes on a darker aspect. the giallo flavoured -not for all- looms and lurks before the dream woven depths of -don demorder-.

jax dax returns on the magic waves label with a 5-track ep of hard-edged twitched-out horror-fuelled paranoid psycho-techno for your mind, body and soul. a soundtrack to the nightmare future-world of earth in the 21st century, the rave resistance is back with a bang and kicking off here. move fast, copies are limited.

modern soul queen goes clubbing. road tested on big dance floors, vinyl only - repress

optimo music presents a new offshoot label, so low, named after the night of the same name in glasgow run by becky marshall, iona mchale, jd twitch and katie shambles. first lp release is happy meals “full ashram devotional ceremony volumes iv – vi” out 23rd of june. the inaugural release is from glasgow’s much-loved happy meals, a duo comprised of suzanne rodden and lewis cook and is their second album release after 2014’s acclaimed “apero” on glasgow’s night school label. full ashram is the name of happy meals’ recording studio. the devotional ceremony is happy meals connecting with their cosmic inner selves. they realise their full ashram devotional ceremony on vinyl (and digital) banishing demons, devils and ill will. devote your soul to the positive forces before the misguided, suffering spirits pull you down and wipe you out. while the album is comprised of individual tracks segueing into each other, for full salvation it is recommended to be listened to as one continuous piece.

moniquea established herself as one of the foremost female artists in the modern funk scene with her 2014 mofunk records debut album yes no maybe. for her followup, she continues exploring and expanding upon the boogie/modern soul sound of her debut, and at the same time, ventures bravely into a new sound inspired by the new wave and synthpop sounds of the 80’s. thus, the album title: blackwavefunk.

louie balo guzman dropped this fine slab of ny garage house, his debut ep, way back in 1994 on the legendary eightball records. this 4 tracker showcases all the us influences that were evident on a lot of subsequent uk garage records, it s all here the deep rolling bassline s, pads and that killer mid 90 s era drum programming, shuffling, metallic, funky. a dream for the djs, tools packed with pure soul! across the 4 cuts guzman drops a bevy of styles, each track sounding fresh and most importantly, as we said before funky! as we all know, this era of dance music from the us was extremely fertile, sometimes there are records that deserve more props, often coveted by the digging cognoscenti, and this is one of them, as good as the mood ii swings, the maws, blaze s or any of the other production outfits you d care to mention. somewhere in-between early tribal, deep house, and garage you ll find the boogiebalo ep. a rare record that s a tough one to get your hands on and a truly worthy addition to any self respecting house-heads record stash for real. the boogiebalo ep has been lovingly re-mastered and re-pressed with the original eightball label artwork intact in full conjunction with eightball records, nyc for 2017. dont sleep!